Picturing the Nation
On Charles Bernhöft: photographe de la Belle Époque, Edmond Thill (ed.), MNHA, 2014
A preference for fine art photography has for a long time penalised the study of the early commercial studios, overlooking their influence in the shaping of cultural tropes and visual narratives. In the context of Luxembourg, specifically, the conspicuous legacy of Edward Steichen has often overshadowed the work of the local photographers. Following a 2006 […]
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